I’m getting a kick out of Bob Costas’s introductions. Today he made a hurried introduction to the action, very quickly ratting through the day’s events and then getting a little obsessed with repeating the name “Aliya Mustafina”. I get the sense that the 3D intro is probably the last thing he does before he gets out for the night, so he gets a little punchy. I’m a big fan of his humor, so I definitely appreciate it.
One thing that NBC/Panasonic also did was add in what sounds like the BBC’s coverage of the action, which quite frankly I prefer to the American coverage at times. I get the sense that NBC’s announcers get paid by the word and get paid double for superlatives. The British announcers just seem a lot calmer and lets you draw your own excitement from the action itself.
I admit, there are still moments I see the 3D and gasp. I think so far in the first couple of days, the most spectacular shots have been of the gymnastics and the kayak/canoeing.
Here are some more 3D shots of the kayak.
And another 3D shots of gold medalist Gabby Douglas in her floor routine, popping right out of the screen at you. I have to say, I have a whole new appreciation of the sport, seeing the lengths, depths, and heights the gymnasts really have to go through that a 2D TV doesn’t quite give justice to.
Swimming is coming to a close. here’s Missy Franklin in the Woman’s 200M backstroke shattering the world record.
And finally, with the start of the track and field events we get a few new scenes to admire. Here’s the stunning Olympic stadium by night.
The track events also got underway. Again, 3D gave a really unique perspective on the events. Here’s a shot of runners lining up for one of the ladies’ races.
And Tomasz Majewski of Poland getting the first track and field medal with this shot put throw.
Overall, I’d say the 3D was effective in two ways. First, it really made you feel like you were there. Second, it really helped in understanding perspective that’s lost in 2D, such as the length of the track and the heights and distance of the shotput.